Young Kohler, besides a natural aptitude for the instrument of his choice, had a good instructor in the father, whose heart was gladdened by the eager willingness and receptive nature of the bright pupil who made such rapid progress. Ernesto pursued his flute and musical studies with such ardor that at an early age he became a first rate performer; and, long before boyhood was over, in company with his brother Ferdinando, a pianist of repute, numerous concert tours were made in Italy with unvarying success.
The critics were unanimous in commending the brilliant execution, fine tone, chaste style and general elegance of delivery of the young flute artist; they also remarked the frequent approval of an exacting public. On attaining twenty years of age, in the year , Kohler was desirous of seeing more of the world, and, as might be expected, of obtaining fame and fortune; or, failing that, to at least secure a comfortable musical appointment.
At this juncture in the young artist's career the seat of first flute in the orchestra of the Karl Theatre, Vienna, happened to be unfilled, and the young flutist was urged to take the position.
He decided to do so, and held the place for about two years; during which time, as opportunity served, he gave flute concerts at various towns in Austria. He also devoted some of his leisure to composition, and published several pieces for flute and piano, the freshness and merit of which at once attracted the attention of continental flute players.
The prominent appointments held for so many years by Kohler undoubtedly restricted his fame as a soloist; but any loss in this respect was more than made good by the promises of enduring popularity as a composer. Kohler wrote a number of excellent flute works well planned for educational purposes, and many solos decidedly pleasant to play, which have met the approbation alike of flutists and of the musical public.
As a composer, his strong points are melody genuine and spontaneous a good knowledge of the technique of the flute, together with the art of adding appropriate, tasteful accompaniments to all his pieces. In composing for the flute, Kohler, who had many pupils, was mindful of the need of meeting the requirements of medium performers; numbers of his pieces being written for this class of flutists.
Full score notation. Published by Rubank Publications. Flute and Piano. By Various. Edited by Robert Stallman. Woodwind Method. Schirmer ED Published by G. Sheet Music. Flute Solo. By Ernesto Kohler. Arranged by Henrik Prohle. Size 9x12 inches. Published by Editio Musica Budapest. By Ernesto Kohler and Ernesto Koehler For flute. Published by Amadeus Verlag. Size 9x Listen Details.
Arranged by Mary Karen Clardy. This edition: The optional second flute part is available as free download from the publisher's website. Edited by Laura. With varied and increasing difficulty; some are quite challenging and some arranged for duet; this is an enjoyable collection of progressive studies for Flute. Includes pieces by Dressler Kohler and Popp. If you do not wish to be contacted, leave it blank. Tell a friend or remind yourself about this product.
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